Matías Piñeiro’s You Burn Me and Jem Cohen's Little, Big, and Far are both richly attuned to the surfaces of things ...
In her superlative sophomore feature Attenberg (2010), Athina Rachel Tsangari pondered the mysteries of the human mammal through the story of a young woman who is so mesmerized by wildlife ...
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Grief and loss are both overpowering and elusive, impossible to examine directly but always present for the stricken, like a sunspot on the edge of one’s vision. We struggle to confront and describe ...
There are several varieties of films maudits—films over which hang some dread curse, whether of state censorship, producer’s interference, distributor indif­ference, or plain bad luck. Sometimes part ...
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Thoughtful, original film criticism delivered straight to your inbox each week. Enter your email address below to subscribe.
Thoughtful, original film criticism delivered straight to your inbox each week. Enter your email address below to subscribe.
The films I saw at the 2024 Toronto International Film Festival offered an array of welcome surprises. Given the brutalities that have beset the world since the festival’s previous edition, Hard ...
Coralie Fargeat’s The Substance is the latest in a string of recent films directed by women—Julia Ducournau’s Titane (2021), Amanda Nell Eu’s Tiger Stripes (2023), and Rose Glass’s Love Lies Bleeding ...
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